Thursday, March 31, 2005

Eugene Marais, The Soul of the Ape (1935)

It was during the hour before sunset that games were indulged in with the utmost joyousness. Incessantly their happy "laughter" and shrieks of excitement and delight awoke the echoes of the great shadowy gorge, while the older fathers and mothers sat watching the activity.

With the setting of the sun and the first deepening of the shadows a singular transformation came over the entire scene. Silence fell upon them gradually. The "talking" ceased. The little ones crept cuddlingly into the protecting arms of their mothers. The romping young folk joined different groups, generally on the higher flat rocks from which a view could be had of the western horizon. The older ones assumed attitudes of profound dejection, and for long intervals the silence would be unbroken except for the soft whimpering complaints of the little ones and the consoling gurgling of the mothers. And then from all sides would come the sound of mourning, a sound never uttered otherwise than on occasions of great sorrow - of death or parting.

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